X/\RRI3R Against Prejudice, Divisiveness & Censoring Protesters {W3PT & Zerpentz Exile Re: jh0st}

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  • our ENTER album was the focused version which the new song is the liberated musical form of same song really.very game changing jam for certain. it’s like the final evolution of urban psychosis & odom, which were harmolodic but riff and groove based w/ some soloing, yet {deadCscrolls aka jamstone aka unleash the locusts} this newer tune truly reached, even w/ help of yr recent overdubs not being able to be ‘live’, the essence of what we witnessed on Song X tour. Which is to say that all the instruments play lead, solo and comping support roles in a spontaneous musical chairs of utopian anarchistic sonorous alchemy.
    • Funny thing is as epic as the newest song is, which sets a new record for Xarrier of start to finish dates from late 2012 initial recording to late 2015 completion, the song which is on my mind tonight is Lunar Leopard.
      • You may recall that besides the musical konceptal infrastrukt of album ENTER that being the 1st 5 songs each deal w/ the history of heavy music in phases than micromacroed on last song 6 which is in five parts, each part again repeating the EP’s trajectory of redefining thr history of heavy tho this time all in one song w/ 5 non repeating , chronologically correct lineage tour thru punk metal crossover from about ’67 Cream/ JHEXP era forward to mid-late 90s thrash/doom black/death metal.
      • Lunar leopard perhaps best exemplifies the
        • also multi faceted lyrical meanings. On 1 hand on the surface the literal meaning of the songs are all about animal’s endangered needing proper protection from compassionate humans w/ empathy for their plight as they are exploited and oppressed by bully coward egomaniac narcissists. On a deeper level, this can also be metaphor for the sociopolitical reality of any minority group within a majority mob, and as a later Sabs LP title pointed out mob’s rule. Thus injustice is therefor predicted, with the screaming cheetah on Iggy’s infamous Raw Power LP cover jacket being iconic. The specific news story of a current controversial figure’s offspring slaughtering rare species of large species cats, which would become scrutinized later over Cecil the Lion, is staggering that our music again predicted, like alternative rock itself w/ our Starball CONTRIBUTION album earlier, in this case the rise to media frenzy of a deranged anti~xryzt weptian pseudo fascist on an air conditioned expedition to offend insult and alienate causing division and strife. We put alot into that song, as much as Wolftriniti or Serpent u.v. Copper, considering LL has in fact some speed up sections never tried before in any Xarrier and few ever rock pieces, not to mention it’s actually 2 simpler songs fused into on mini epic at a quick tempo, At a mid-slow tempo it also would have been 8-10 minutes! Yr vocals gave voice to the unfairly unsportsmanlike trophy hunting inside fenced in ‘wildlife slaughterhouses’ for wealthy spoiled ultra-selfish h8rs of the biosphere and it’s gardens of unearthly delights such as all Noah’s ark animals as their target practice for bloodlust and selfies with decapitated giraffes, lions, leopards etc…

        Singing some of these songs was a trip into a darkness never really even heard before on a heavy metal or hard rock album. It was the only right thing to do, which was report the rotten underbelly of the sarcophagus of self worshiping fools gold mouth breathing well educated morons who as the ultra elite condemn all ‘below’ them on the species of economic food chain to a life of servitude, as if the animals and mid-poor classes were born for their amusement.

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        • this class/race/animal hunting caste system of /bigots is what the whole album was about, and its lack of popular exposure means it did little to prevent such nasty twisting of civilization to a lower common denominator which has now stooped blow the gutter into infamy.
          • The only answer is to make some new music even more directly critical of the trophic cascades which inevitably result on suffering for all sentient beings. The role of the contemporary musican & artist & designer is to provide enlightened thinking to a shrouded in darkness ignorazi vunintelligencia.v Consider this a wake up call to go beyond silly love songs of old wept and reach into the Ominsphere in infinity as discovered on our newest song (and 1st genuine masterpiece ever either solo or Xarrier or in any other bands) to bring the black light dimension of event horizon infinite philosophy of total freedom back into the limelight where it has always belonged. We must not let Ornette or Hendrix down, or Bird or PMG or Trane or Ayler or Frost or Bowie. We must individually or together create the sonic tsunami of truth and light in an age of sorrow, chaos and frozen progress. The core of the music lies writhing the core of our souls, and as artists we must compose the new anthems to free the minds of those who dare to transcend the propaganda of lies foisted upon them by fear mongered and cash hungry media dismissives although massive neither arms of the tentacles of ignorance can outshine the divine xarriarai of artificial instant satori, which while only a diversion in the end can help lead the blind to see beyond the oppressiveness and find like Buddha his bad self the inner reflection of triple stack amnesiaxis bold as light.
          • Not a word makes sense yet? If you still lived here and had to endure the myopic idiocracy of current events, with genuine enthusiasm on the behalf of anachronistic antebellum anti-civil rights, anti-privacy and anti-freedom fanatix? You too may spout mystical mumbo jumbo in hopes of conjuring the muse to speak thru the extensive wall of amplification I have to give voice to the angels of infinity, like Gabriel’s trumpet the Vortyx bass tone must ring tru again in echoes of fuzz beyond the valley of darkness.
            • We are witnessing the same repulsive attempt to divide and conquer as seen by Nixon and earlier fascists in other well publicized historical xenophobic paranoia.

              The rock and rollers ere the very ones who changed things for the better in the late 60s early 70s. Peace over conflict was why john Lennon was followed and harassed by the powers the be creating 3 phonebooks worth of spying records on him.

            • If the artists do not speak the truth eventually the right to speak will have been removed nearly completely at which point a dystopia as predicted in Blade Runner would actualize. The only intelligential thing to do is let creativity and imagination channel thru the various artforms and enlighten the viewers minds with something that is antithetical to the h8, prejudice and demagoguery within the forces of dictator slaves who enact the will of the leader onto the innocent.
              • Like after WWI, the DaDa and cabaret Voltaire avant garde, Xarrier must be a vanguard of genuine alternative viewpoints, a castle of improvisation over a moat of riffology,

              very game changing jam for certain. it’s like the final evolution of urban psychosis & odom, which were harmolodic but riff and groove based w/ some soloing, yet {deadCscrolls aka jamstone aka unleash the locusts} this newer tune truly reached, even w/ help of yr recent overdubs not being able to be ‘live’, the essence of what we witnessed on Song X tour. Which is to say that all the instruments play lead, solo and comping support roles in a spontaneous musical chairs of utopian anarchistic sonorous alchemy. 1379630898732

     

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