{I’m}”Perfect Pitch” Makes Me Puke, & Micr0~bubbles Don’t Affect Tone?!? Rejecting the Past Creates a Future

      Perfect pitch is antithetical to the blues, and therefore to jazz, rock & roll and consequently punk & heavy metal. Although after Judas Priests’ ‘Sad Wings of Destiny’ album essentially pre-defined modern metal as having less and less to do w/ African or American roots in the blues, the earliest examples of heaviness w/ […] → Continue Reading {I’m}”Perfect Pitch” Makes Me Puke, & Micr0~bubbles Don’t Affect Tone?!? Rejecting the Past Creates a Future

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{Xarriviewz III} ‘Luthier Unbound by 6~String Limits: Thomas of Rodriguez Guitars’

The first time I saw one of his axes up close was a bass for the bassist of Burma Jam. When played thru a few 18″ cabs this thing really shook the house. The workmanship was all there too; no loose ends everything how it should be…built to last! Later a band members housemate  had a Firebird […] → Continue Reading {Xarriviewz III} ‘Luthier Unbound by 6~String Limits: Thomas of Rodriguez Guitars’

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‘In-Wept’ Uber~Genuii Archives Vol.111: 1st Person Skyzeye View u.v. X/\rrier X0mmvnixationz {mk I}

      Every 2 or 3 years we enjoy the occasional random shoutout of the blue from the rare audience member/ friend of band/ fan. Whom we did not realize how much they enjoyed our musical contributions back in the day?! Of course that’s what it was all about: communication. We pick up this tale midstream […] → Continue Reading ‘In-Wept’ Uber~Genuii Archives Vol.111: 1st Person Skyzeye View u.v. X/\rrier X0mmvnixationz {mk I}

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X/\RRI3R Against Prejudice, Divisiveness & Censoring Protesters {W3PT & Zerpentz Exile Re: jh0st}

      our ENTER album was the focused version which the new song is the liberated musical form of same song really.very game changing jam for certain. it’s like the final evolution of urban psychosis & odom, which were harmolodic but riff and groove based w/ some soloing, yet {deadCscrolls aka jamstone aka unleash […] → Continue Reading X/\RRI3R Against Prejudice, Divisiveness & Censoring Protesters {W3PT & Zerpentz Exile Re: jh0st}

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David Bowie & Lemmy Kilmister ROCK [in] POWER…and how Mick Ronson helped Ziggy, Iggy & Lou

     All we can do is try to honor the 3 fallen wizards Ornette, Lemmy & Bowie. Mick Ronson sure gave it his best shot enabling the peak music by Bowie, Lou Reed and even helped mix Raw Power which David is either thanked or blamed for, yet Ronno prolly salvaged what he could from […] → Continue Reading David Bowie & Lemmy Kilmister ROCK [in] POWER…and how Mick Ronson helped Ziggy, Iggy & Lou

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Alice C:0:0per vs. M:0tley Cr:ue? 2 Genz u.v. Sh:0ck~Glam!

[5 images x jh0st copyright protected 2015 Xarrier Infrastarwerx Recordingz in co0peration w/  jh0st.com]   Show review for a gig I did not see? Xarrier always leads the way into the absurd of avant-not heard! Actually former Serpent’s Exile and current Gryflet guest-vocalist jh0st was gifted a ticket to the futuristic, modern & contemporary concert venue the Barclay Center (which he […] → Continue Reading Alice C:0:0per vs. M:0tley Cr:ue? 2 Genz u.v. Sh:0ck~Glam!

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XrYz+ W3pt [EXYZT] : {Wake O~O vs. VI-VI-VI} “Zerogain, Yet Exyzting!?!” aka Bluem0000n @ Infinity Xroadz’ Threshold

Greeting all ye Weeping masses and thanks for joining in common ground here at XrYz+ W3pt to enjoin this music of spheres. Tired of Postpunx ‘antistar popularity rep’ vs. ‘underground music cred’ polarity? So are we here, W3/pt. What?!?  Yes, we know the XW/Fb page has been up less than a month yet we must press […] → Continue Reading XrYz+ W3pt [EXYZT] : {Wake O~O vs. VI-VI-VI} “Zerogain, Yet Exyzting!?!” aka Bluem0000n @ Infinity Xroadz’ Threshold

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~ J E S V S ^ W E P T @ ^ F T. ^ R E N O ^ P A R K ~ { 1 9 8 8 }

~ W E P T @ ^ FO R T ^ R E N O ^ P A R K ~ {August 1988 NW Washington, District of Colombia USA}  JESVS WEPT played the city-sponsored outdoor stage at Fort Reno Park {near NW Tenleytown radio towers} around this time in summer ’88. By this point we were promoting the […] → Continue Reading ~ J E S V S ^ W E P T @ ^ F T. ^ R E N O ^ P A R K ~ { 1 9 8 8 }

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’93 = ’05 = 2015? Xryzt WEPT’s ‘Ikon’: An Evolving Anthem

These are the last 5 songs recorded by band, though only 1 of them was not previously recorded/written or released on previous albums. In 1993 w/ a sit-in drummer on session the founding trio recorded ‘Ikon’ (originally on 1988’s EXIT) plus a Vorticez original from his then current band A Picture of Madagascar, which shared same […] → Continue Reading ’93 = ’05 = 2015? Xryzt WEPT’s ‘Ikon’: An Evolving Anthem

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L0GRYPH0NIK P0L/\V0RTYX: the etymology of Looking Glasses {North Pole} meets Zultanz u.v. thee Vortyx

It was, and is, time to create new music from a new sonic and conceptual perspective. Not 2 or 3 point perspective: we want fisheye wide angle 0ct0ph0nix. Our previous collaboration was known by the music moniker Looking Glasses {North Pole). Since there was a 70’s pop band who sang ‘Brandy’ we added the ‘es’ […] → Continue Reading L0GRYPH0NIK P0L/\V0RTYX: the etymology of Looking Glasses {North Pole} meets Zultanz u.v. thee Vortyx

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‘Feeling Returns’ {Deja Vu?}: The Grabber bass & destiny of JESVS WEPT

     How can a mere instrument come to symbolize a band or an entire type of music? Let’s hear from the ‘Ghost of Weptmass Past’ on why this is possible. For those who believe in something they tend to come across proofs of itself as a result of their enthusiasm, noticing parallels and serendipitous synchronically […] → Continue Reading ‘Feeling Returns’ {Deja Vu?}: The Grabber bass & destiny of JESVS WEPT

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It Need’s To Be Darker in Here: JESVS WEPT’s big beat!

~ J E S V S ^ W E P T ~ The true testimonial of the DC/RVA based postpunk band as told by Vile Vortices, bassist {turned drummer out of nessecity when XYZ don’t show up} now guitarist, or all of the above. . . At least it’s a version of the truth? Only the […] → Continue Reading It Need’s To Be Darker in Here: JESVS WEPT’s big beat!

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Omniverse of Defretting Mystery Music~Maps: the history of X/\RRIER Infrastarwerx Recordings {primer}

     What is Xarrier Infrastarwerx Recordings? Is it Carrier Communications Cassettes in the 21st century digital download era? The webpage posts are the modern mini-zine, while both auditory & visual aspects prevail. The addition of social media outlets are the new ‘wallpaper flyer pasteups’ heralding new music for the listeners.      Pre-history: the first evidence of […] → Continue Reading Omniverse of Defretting Mystery Music~Maps: the history of X/\RRIER Infrastarwerx Recordings {primer}

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XARRIER in the news~ W B Vorticez performing w/ Nakatani Gong Orchestra, WEPT: top 100 albums alltime, Xopher’s PR0CESS0R: top 14 of 2013

Xarrier Infrastarwerx Recording artist W B Vorticez performing w/ Nakatani Gong Orchestra in Brooklyn the weekend of Chinese New Years January 30 & 31, 2014. “psychoacoustic techniques of Xopher Davidson & Zbigniew Karkowski’s PROCESSOR have triggered the sort of rare sensations we {14 Tracks dotcom} return to over and again…”   Erratic Phenomena included WEPT’s Starball Contribution LP […] → Continue Reading XARRIER in the news~ W B Vorticez performing w/ Nakatani Gong Orchestra, WEPT: top 100 albums alltime, Xopher’s PR0CESS0R: top 14 of 2013

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X/\RR|3R Total Freedom Music prevails in 2014 Re: MASTER

You wanted   BEST? You   got BEST!!!   X/\RR|3R   2014   reissue   remix redux   remasterREALITY 45/102 ‘terrestrial reduction’         ‘psychic harmodisc0lodious ‘   ~*~RUST ~*~   LICHT ~*~  SONAR ~*~  ~*~ IRATE ~*~               Composite Sound #1                 REFLECTOR      PRIMER                                    NUMBER                           

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Su|+anz u.v. {+} \/ortyx 1st xingle ‘Flames’ & ‘Song: Mirror #2’

   listen [click here]: free full songs mp3 preview One decade and a half past, the Sultanz u.v. {+} V0rtyx gathered with hundreds of watts vintage valve amplification to summon the spirits of a trilllion light years away; home was now long gone. Far from lonely, these rollin' moss~less meteors streaming prismatic icy vapor trails? Across a cosmos […] → Continue Reading Su|+anz u.v. {+} \/ortyx 1st xingle ‘Flames’ & ‘Song: Mirror #2’

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3nter the 3squire

  Fascinatin' instrument history: the no-truss rod early Pine 3squire. Leo's goal was to make a reliable & repairable instrument for the working musician. The reality of why the truss rod was add'ed late '50~ early '51 was at that annual NAMM show in Chicago some F3nd3r employees checked out a 'brand G' in a hotel room then […] → Continue Reading 3nter the 3squire

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